Singing voice conversion (SVC) aims to render the target singer's timbre while preserving melody and lyrics. However, existing zero-shot SVC systems remain fragile in real songs due to harmony interference, F0 errors, and the lack of inductive biases for singing. We propose YingMusic-SVC, a robust zero-shot framework that unifies continuous pre-training, robust supervised fine-tuning, and Flow-GRPO reinforcement learning. Our model introduces a singing-trained RVC timbre shifter for timbre-content disentanglement, an F0-aware timbre adaptor for dynamic vocal expression, and an energy-balanced rectified flow matching loss to enhance high-frequency fidelity. Experiments on a graded multi-track benchmark show that YingMusic-SVC achieves consistent improvements over strong open-source baselines in timbre similarity, intelligibility, and perceptual naturalness, especially under accompanied and harmony-contaminated conditions, demonstrating its effectiveness for real-world SVC deployment.

Robustness is critical in zero-shot singing voice conversion (SVC). This paper introduces two novel methods to strengthen the robustness of the kNN-VC framework for SVC. First, kNN-VC's core representation, WavLM, lacks harmonic emphasis, resulting in dull sounds and ringing artifacts. To address this, we leverage the bijection between WavLM, pitch contours, and spectrograms to perform additive synthesis, integrating the resulting waveform into the model to mitigate these issues. Second, kNN-VC overlooks concatenative smoothness, a key perceptual factor in SVC. To enhance smoothness, we propose a new distance metric that filters out unsuitable kNN candidates and optimize the summing weights of the candidates during inference. Although our techniques are built on the kNN-VC framework for implementation convenience, they are broadly applicable to general concatenative neural synthesis models. Experimental results validate the effectiveness of these modifications in achieving robust SVC. Demo: http://knnsvc.com Code: https://github.com/SmoothKen/knn-svc

Singing Voice Conversion (SVC) has emerged as a significant subfield of Voice Conversion (VC), enabling the transformation of one singer's voice into another while preserving musical elements such as melody, rhythm, and timbre. Traditional SVC methods have limitations in terms of audio quality, data requirements, and computational complexity. In this paper, we propose LHQ-SVC, a lightweight, CPU-compatible model based on the SVC framework and diffusion model, designed to reduce model size and computational demand without sacrificing performance. We incorporate features to improve inference quality, and optimize for CPU execution by using performance tuning tools and parallel computing frameworks. Our experiments demonstrate that LHQ-SVC maintains competitive performance, with significant improvements in processing speed and efficiency across different devices. The results suggest that LHQ-SVC can meet

Diffusion-based singing voice conversion (SVC) models have shown better synthesis quality compared to traditional methods. However, in cross-domain SVC scenarios, where there is a significant disparity in pitch between the source and target voice domains, the models tend to generate audios with hoarseness, posing challenges in achieving high-quality vocal outputs. Therefore, in this paper, we propose a Self-supervised Pitch Augmentation method for Singing Voice Conversion (SPA-SVC), which can enhance the voice quality in SVC tasks without requiring additional data or increasing model parameters. We innovatively introduce a cycle pitch shifting training strategy and Structural Similarity Index (SSIM) loss into our SVC model, effectively enhancing its performance. Experimental results on the public singing datasets M4Singer indicate that our proposed method significantly improves model performance in both general SVC scenarios and particularly in cross-domain SVC scenarios.

The diffusion-based Singing Voice Conversion (SVC) methods have achieved remarkable performances, producing natural audios with high similarity to the target timbre. However, the iterative sampling process results in slow inference speed, and acceleration thus becomes crucial. In this paper, we propose CoMoSVC, a consistency model-based SVC method, which aims to achieve both high-quality generation and high-speed sampling. A diffusion-based teacher model is first specially designed for SVC, and a student model is further distilled under self-consistency properties to achieve one-step sampling. Experiments on a single NVIDIA GTX4090 GPU reveal that although CoMoSVC has a significantly faster inference speed than the state-of-the-art (SOTA) diffusion-based SVC system, it still achieves comparable or superior conversion performance based on both subjective and objective metrics. Audio samples and codes are available at https://comosvc.github.io/.

Previous research has shown that established techniques for spoken voice conversion (VC) do not perform as well when applied to singing voice conversion (SVC). We propose an alternative loss component in a loss function that is otherwise well-established among VC tasks, which has been shown to improve our model's SVC performance. We first trained a singer identity embedding (SIE) network on mel-spectrograms of singer recordings to produce singer-specific variance encodings using contrastive learning. We subsequently trained a well-known autoencoder framework (AutoVC) conditioned on these SIEs, and measured differences in SVC performance when using different latent regressor loss components. We found that using this loss w.r.t. SIEs leads to better performance than w.r.t. bottleneck embeddings, where converted audio is more natural and specific towards target singers. The inclusion of this loss component has the advantage of explicitly forcing the network to reconstruct with timbral similarity, and also negates the effect of poor disentanglement in AutoVC's bottleneck embeddings. We demonstrate peculiar diversity between computational and human evaluations on singer-converted audio clips, which highlights the necessity of both. We also propose a pitch-matching mechanism between source and target singers to ensure these evaluations are not influenced by differences in pitch register.

This paper describes an end-to-end adversarial singing voice conversion (EA-SVC) approach. It can directly generate arbitrary singing waveform by given phonetic posteriorgram (PPG) representing content, F0 representing pitch, and speaker embedding representing timbre, respectively. Proposed system is composed of three modules: generator $G$, the audio generation discriminator $D_{A}$, and the feature disentanglement discriminator $D_F$. The generator $G$ encodes the features in parallel and inversely transforms them into the target waveform. In order to make timbre conversion more stable and controllable, speaker embedding is further decomposed to the weighted sum of a group of trainable vectors representing different timbre clusters. Further, to realize more robust and accurate singing conversion, disentanglement discriminator $D_F$ is proposed to remove pitch and timbre related information that remains in the encoded PPG. Finally, a two-stage training is conducted to keep a stable and effective adversarial training process. Subjective evaluation results demonstrate the effectiveness of our proposed methods. Proposed system outperforms conventional cascade approach and the WaveNet based end-to-end approach in terms of both singing quality and singer similarity. Further objective analysis reveals that the model trained with the proposed two-stage training strategy can produce a smoother and sharper formant which leads to higher audio quality.

Singing voice conversion is a task to convert a song sang by a source singer to the voice of a target singer. In this paper, we propose using a parallel data free, many-to-one voice conversion technique on singing voices. A phonetic posterior feature is first generated by decoding singing voices through a robust Automatic Speech Recognition Engine (ASR). Then, a trained Recurrent Neural Network (RNN) with a Deep Bidirectional Long Short Term Memory (DBLSTM) structure is used to model the mapping from person-independent content to the acoustic features of the target person. F0 and aperiodic are obtained through the original singing voice, and used with acoustic features to reconstruct the target singing voice through a vocoder. In the obtained singing voice, the targeted and sourced singers sound similar. To our knowledge, this is the first study that uses non parallel data to train a singing voice conversion system. Subjective evaluations demonstrate that the proposed method effectively converts singing voices.